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SoSe 2024

Critique and (Artificial) Intelligence - Machine learning and critical theory - Practice Seminar - Einzelansicht

  • Funktionen:
  • Zur Zeit keine Belegung möglich
Grunddaten
Veranstaltungsart Werk-/Fachmodul SWS 3
Veranstaltungsnummer 324110004 Max. Teilnehmer/-innen 15
Semester SoSe 2024 Zugeordnetes Modul
Erwartete Teilnehmer/-innen
Rhythmus
Hyperlink  
Sprache englisch
Belegungsfrist Fak. Kunst und Gestaltung    03.04.2024 - 07.04.2024   
Termine Gruppe: [unbenannt]
  Tag Zeit Rhythmus Dauer Raum Raum-
plan
Lehrperson Bemerkung fällt aus am Max. Teilnehmer/-innen
Einzeltermine anzeigen
Di. 13:15 bis 16:15 wöch. von 16.04.2024  Bauhausstraße 9a - Gestalterisches Zentrum 001      
Gruppe [unbenannt]:
Zur Zeit keine Belegung möglich
 


Zugeordnete Person
Zugeordnete Person Zuständigkeit
König, Alexander , Dr.phil.
Studiengänge
Abschluss Studiengang Semester Leistungspunkte
Master Medienkunst/Mediengestaltung (M.F.A.), PV29 - 6
Master Medienkunst/Mediengestaltung (M.F.A.), PV19, 4-Semester - 6
Bachelor Medienkunst/Mediengestaltung (B.F.A.), PV19 - 6
Master Medienkunst/Mediengestaltung (M.F.A.), PV19, 2-Semester - 6
Master Medienkunst/Mediengestaltung (M.F.A.), PV2021, 4-Semester - 6
Master Medienkunst/Mediengestaltung (M.F.A.), PV2021, 2-Semester - 6
Bachelor Medienkunst/Mediengestaltung (B.F.A.), PV29 - 6
Zuordnung zu Einrichtungen
Gestaltung medialer Umgebungen
Mediengestaltung/Medienkunst
Inhalt
Beschreibung

PLEASE NOTE:
The seminar consists of a “Wissenschaftsmodul” and a “Fachmodul”, you need to participate/enroll in BOTH seminars.

"Consumers are divided into income groups, into red, green and blue fields, as statistical material on the map of the research centres, which can no longer be distinguished from propaganda." What Horkheimer and Adorno stated in 1947 in their "Dialectic of Enlightenment" seems more relevant than ever in the wake of developments surrounding artificial intelligence.
My seminars follow a dialectical approach and are designed to combine technical and scientific modules at the Bauhaus University. In this way, critical positions and questions can be developed directly from a technical understanding. The technical knowledge imparted is then contextualised and subjected to critical reflection. Instead of a discussion about pure scientific metaphors or a supposedly objective, uncritical approach to technology, a dialectical cognitive process is initiated.


Learning to use the tools of the future.

The transformative power of Artificial Intelligence (AI) will fundamentally change the creative professions, with technology not designed to replace humans but requiring new skills to harness it.

Critical engagement and responsible use of AI tools.

AI systems can be used to generate targeted "fake news" on a large scale, so in order to learn how to use this technology in a responsible way, knowledge that goes beyond the purely technical aspects is needed. A mature and informed approach to sociology and politics is therefore just as important as programming skills. Morals and ethics are basic democratic values of our society and a qualification in these areas could expand the field of work of students in the art and culture sector by essential aspects. Especially at the Bauhaus University, great importance has always been attached to the teaching of human sciences, which therefore forms a perfect basis for an extended knowledge transfer in the field of AI.

new roles for creatives

In the current debates concerning creativity and AI, the views of computer science experts are dominant. However, since they do not have expert knowledge in the field of art and culture, the discourses prevailing there resemble more personal opinions than actual facts. By developing skills in technical and theoretical areas, students will be enabled to contribute to the debate as "experts on creativity" in a direct and informed way.

 

perspectives

Starting from technical competence, an ethical-moral compass can subsequently be developed, with which technology can be contextualized in a social, political and cultural context in a scientifically sound manner. In this context, AI is seen as an opportunity to broaden the activity profile of those working in the cultural sector to become a mediator between culture, business, technology and politics and, above all, to inform and involve the general public in these processes. This development therefore calls for training in the creative fields away from production and toward coordination and evaluation.


transparency and sustainability

The focus of teaching should be on the greatest possible transparency and make all results open source and thus sustainably available. It should also provide as authentic an introduction to the topic as possible. Another building block in this sense is hybrid teaching and learning, which is also under the sign of sustainability.


teaching and learning

In the course of dialectical knowledge transfer, a direct combination of technical and scientific modules makes sense. In this way, critical positions and questions can be developed directly from a technical understanding. The technical knowledge imparted can thus be placed directly in a critical context. Instead of a discussion about metaphors in pure science or about a supposedly objective and uncritical approach to technology, a dialectical cognitive process will thus be initiated. The didactic process leads away from active action and the direct production of cultural goods towards a reflexive attitude and their expert evaluation.

 

Literatur

https://www.uni-weimar.de/kunst-und-gestaltung/wiki/Alexander_König

Voraussetzungen

Motivatonal Letter

Leistungsnachweis

Project work

Zielgruppe

The modul is open to all other study programmes, please refer to the appropriate programme regulations.


Strukturbaum
Die Veranstaltung wurde 8 mal im Vorlesungsverzeichnis SoSe 2024 gefunden:
Fachmodule  - - - 1
Fachmodule  - - - 2
Fachmodule  - - - 3
Fachmodule  - - - 4
Werk-/Fachmodule  - - - 5
Fachmodule  - - - 6
Fachmodule  - - - 7

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